Clearly, it’s one of the most important movies to have come out of India this year and deserves deep appreciation for its ambition and craft. Take a bow, Hastar! Beyond horror lies the forever struggle between man’s need and his greed. Beautifully shot, it ain’t really a horror show. Do rope down the womb of Mother Earth to experience an eternal conflict. Their audacity to dream beyond the obvious and to go where most Hindi films are afraid to go - a dark, stylised, surrealistic netherworld! The film needs to be seen on the large screen to internalise the intensity of its cinematic expanse.
#Hindi movies 2018 movie
The film flows organically thanks to a talented ensemble. Ayushmann Khurana is breaking the stereotype of a Hindi movie ‘hero’ one film at a time and is effortless as usual with his comedy.Ī parable on greed and how it devours its children, this is such a visual extravaganza that you begin to marvel at the audacity of the filmmakers. Writer Akshat Ghildial intelligently and subtly infuses humor into the narrative director Amit Sharma effectively recognises and pulls it off while the characters comfortably lend themselves it. The beauty of the film lies in how it manages to keep the humour alive even in the most emotional moments. Badhaai Ho doesn’t solely rely on barbed, punchy one-liners to bring in the humour. The modern-day rom com drama fires on all cylinders: taut writing, crisp editing and superlative performances all round make it one of the best viewing experiences of the year. Not a mainstream offering, but this is one of the best Hindi movies 2018 has to offer. Class act by the two lead protagonists Shefali Shah and Neeraj Kabi, sharp direction and sublime music by Talvin Singh. A celebration of meaningful storytelling, it may lack expanse but its journey is inwards. Once Again is a beautiful, sensitive film about mid-life romance, touching an emotive chord with its awkward silences so much is left unsaid and that’s a part of the allure - restrained and compelling to the core. I just wish Vicky Kaushal had more to do. Watch Raazi for Meghna Gulzar’s compelling storytelling, supported by brilliant performances (Jaideep Ahlawat, Vicky Kaushal, Shishir Sharma, Rajit Kapur, Amruta Khanvilkar).
I’d still rank Udta Punjab and Highway notches higher). (But this isn’t one of her best performances.
She brings out the innocence and brazenness with equal conviction. Alia Bhatt as Sehmat renders some fine, jaw-dropping moments and her character transition is smooth. It chronicles the true story of a young Kashmiri girl trained as a spy and sent behind the enemy lines ahead of the Indo-Pak war. Pity we don’t make men like him any more.Ī taut thriller helped by an edge-of-the-seat narrative and a fine ensemble of actors, Raazi is a wartime tale set in 1971. Nandita Das does well to direct this difficult subject and beautifully weaves Manto’s stories in the narrative. Such is the power and endurance of his hauntingly real creations. In a prose that’s as stark and unsentimental as cold meat. Manto’s short stories still work to shake our stricken conscience. This is no time for romantic poetry, for the truth must be told to cleanse the soiled soul. A searing portrayal of an intense writer caught in the madness of India’s partition and the havoc it wreaks on its divided people. What a writer and what a class act by Nawazuddin. Delivering two major hits in a single year in two extremely contrasting genres (thriller and comedy), the everyman and very versatile Ayushmann Khurana turns in one of the strongest performances of 2018. A solid script brought alive brilliantly on screen, Andhadhun seals the deal with spectacular performances. And he does it without resorting to cheap contrivances and manipulation.
#Hindi movies 2018 how to
Veteran Sriram Raghavan knows how to keep his viewers engaged. There isn’t a dull or wasted moment in this cleverly crafted and briskly-paced thriller. Here are the best Hindi movies 2018 had to offer (in no particular order): A change has been set into motion, nevertheless, which only opens up possibilities for more filmmakers to look beyond the obvious. I’m not overlooking the fact that two of these were also the biggest polarisers in their respective years. Shahrukh Khan’s quirky, experimental (and like film critic Baradwaj Rangan pointed out, “one of the most audacious love stories of the year”) Zero and his choice of films lately ( Dear Zindagi, Fan) are a case in point. The fact that big stars too are joining the fray is a step ahead. As much as filmmakers who’re becoming more experimental in their choices, credit Netflix and Amazon for making their efforts accessible to a wider audience. They are readily embracing all kinds of cinema.
That viewers appreciated and endorsed the change is a harbinger of good times to come. Story and storytelling were the order of the day. 2018 was a year when quality scripts triumphed over big stars and big-budget films.